WELCOME


The Dramatherapy Workshop FreeMind is an open space, so long as it goes on consolidating its thinking and its practice. A blog will allow the extension of the communication: drama widened to ideas and competences. Director, E. Gioacchini


@ Director As mind master of the CDIOT, this gives me the opportunity to open a discussion on the fascinating Mind's Creative Processes and the Theatre. So I invite you to join our community, getting it prestigious, because it will be built with your intuitions and questions, meditation and inner answers. This is the place where you can use the freedom to express your doubts and you ideas, sharing with the others the research of your way. The Mind is a living miracle, available better than we could immagine; the theatre is a powerful tool to get deeply its power! But what beyond our discussions? Prepare for becoming part of a new way to discuss with your right emisphere. Explore the real power of hypnosis, dramatherapy and cinema-dramatherapy and get away its magic and false misconceptions.Work nicely with us to create our friendship and the warmth of our curiosity and mind’s exploration. Learn, enjoy and get excited! Help yourself adapt to altering life-style changes..if there’s one constant in our life today it’s change; from every direction and faster than ever. Let’s make the dream a reality...and much much more! Contact and interface with our staff; psychiatrists and psychologists will help you to get your life better!I’m just looking forward to seeing your messages here!


"It does not take much strength to do things, but it requires great strength to decide on what to do" Elbert Hubbard



Showing posts with label Dramatherapy Drama Therapy Drammaterapia Drama Therapie Dramaterapia. Show all posts
Showing posts with label Dramatherapy Drama Therapy Drammaterapia Drama Therapie Dramaterapia. Show all posts

Saturday, 27 March 2010

Cinema-Dramatherapy & Dramatherapy: a new Resouces Training starts in Rome



As part of the new Dramatherapy for Resources Training, starting on 9th April in Rome, is a module on cinema-dramatherapy. The scientific back up of the course is by the Dramatherapy Workshop Freemind, under the aegis of the Italian Society of Experimental and Clinic Applied Hypnosis and of the Institute Roman School Rorschach.
A shot from a dramatherapy piece,
December 2007

The Course, directed by the Roman psychiatrist and psychotherapist Ermanno Gioacchini, will be organised in seminars, conferences and evening workshops (Friday nights), with the participation of trainers having a psychology background and of trainers coming from the world of entertainment. The methodology that will be used is based on the principle that dramatherapy can be used as a method allowing the participants to express creatively their own ‘artistic process’ through a wide range of activities, such as acting, hypnodrama, storytelling, music, play, mime, and dance.
Participants will be guided to experimenting and working on a personal interpretation of the language of theatre, which goes through both the stages of self-discovery, discovery of one’s body and its expressive potential, and the stage of reformulation of a new relationship with the outside world – space, objects and other people.
The first meeting will be held on Friday 9th April, at 8.00 pm. Places are limited.

For information and registrations, please contact:
CDIOT - Tel 0039-335-8381627 - Fax: 0039-06-86211363/70
E.mail, info.atelier@dramatherapy.it
Website, http://www.drammaterapia.com/

Photo: Rome Theatres, by C. Gioacchini

Monday, 23 March 2009

STEP TRAIL

@Director
Once I wrote the following short piece for a young woman who was feeling low. A physical problem was consuming, together with her body, also the energy that the body supports. She was English, I wrote to her in English; I had never seen her, I knew about her problem, she knew I wanted to help.
No contract or notified consent, but the condivision of a moment between a doctor and a patient, who would never be his patient, if not in the reliance/trust of a moment. The operation brought her 'luck'!
Please, don't ask me to translate it into Italian: it was conceived to be in English, but try and... fearlessly climb up!

"Come close… Once there was a steep trail that was sometimes chosen as a passageway by the rains in winter and much rarer by a solitary wayfarer. Never at night, though... the trail was always there, but it seemed that even the moon avoided it, so hidden amidst the thorns and bushes. Season after season it was shunned, viewed as inaccessible because it was out of the way or because there were less steep paths in the mountains.One day, unable to endure its fate no longer, the trail decided to slide down, tired with the life. It waited until the winter floods arrived, when the water wildly sweeps away all sorts of things in its path… and it threw itself into the downward descent during the first big thunderstorm… When it finally reached the bottom, the trail felt endless pleasure, stretching out in the plains, the sun warming every once inaccessible corner, and the sounds of a place that is no longer solitary, yet…... soon the trail became bored and longed for the steep thoughts it used to have alone on the western side of the tall mountain… The trail could no longer return uphill … so tired and dejected, it let the current carry it further down... ending up in the bed of a stream, where it found itself bathing the feet of a little girl … Slightly fearful yet curious, the trail – yes, that precise trail, so used to precipices -- climbed up the little girl’s legs… entered her thoughts… and silently convinced her to be taken once again to the mountain top, nestled now in her fresh, curious mind".

While thinking I would put this here as a post, to mean the use of energy in the theatre of life, I received a comment from Nina on Mr Hube's contribution. Incredible! A mountain there, a mountain here... Maybe telepathy does exist?! I've always believed it....

@ Nina -Indaco-
"...Because we come from water in the hapiest hours"

The story of the ‘path’ is my story.
Apparently, the journey seems to take shape at an extraordinary time of lull: the sense of exploration - vanished. I leave triumphs and victories to sadness, to a body that finds it hard to answer - it too thousands of years old.
This path - ‘ME’, is blocked, inaccessible, surrounded by thorny bushes and shrubs: not even that pale moonlight is soothing. The wonderful satellite is covered by a heavy layer of gauze. As if affected by blindness...it doesn’t enlight.
Does the journey stop at the departure?
No. The journey in which I was a Cortàzar’s Tiger in Humboldt, then Nina, in Checkov’s Seagull; now, definitely alone, I decide to be body and soul of a Sacred Mountain.

Answer: The exploration doesn’t end if I decide to stop.
Question: Compulsory stop?
Question: Have the signs disappeared?
Answer: I wait and, while waiting, I learn.We don’t know anything. We can sniff like dogs, leave it to intuition, welcome the pre-existent, enhance the mind, go along with the unconscious, found again the republic of the ‘I’ with drama and Ypnos.
Not exactly aware of having an unsuspected hurry, I find out that sadness is tired and it would like to set free from its sad condition.
And this is how I set myself the task of depressing depression, channelling a greater will, an energy that was thought exhaust and “scattered between brain and body” with the devastating fury of a storm on the peak of a Mountain: who was I – or the ‘I’ – or the Unconscious – or the Subconscious.
Does it matter?
It matters to know that I’ve lived this kind of paralysis forcing my Self to stone myself as if following a principle of self-harm.
This time I ‘slide down’ because I’m the one who decides to do it. Almost a shock-self-therapy.
And now a storm, like a frontal attack by fighter-bombers, comes like a benediction: I start rolling, I take with me all I encounter - including shrubs and thorny bushes; it’s a scuffle, a rough-and-tumble of stones, rocks, water, sticks and beating, clubs and clubbing…
“I’m not here anymore” I think, when I reach the valley.
The sun is warm, its warmth mitigates the pain. Finally light!
And yet…

…this valley is motionless. Nothing interesting happens here.
I know the journey doesn’t end here: I need to slide further down.
Down, further down, until I deposit my remains on the bed of a stream: “…Because we come from water in the happiest hours” he said.

If I came from water to get back to water, then I was still stuck at the departure.
No. Before being a Mountain, I had been a Seagull, and before that a Tiger, a woman, a child, a foetus. The origin, the sign, the language.
Universe: all in the Whole.

Photo: the caption to the picture that Nina has suggested is really good. It's from Jerry Uelsmann's Woman River. Because of copyright, we cannot show it here - we are not here privately, but with the sponsor of a Scientific Association - SSISCA. If you're interested, you can find it following these links:
http://www.uelsmann.com/
http://pdngallery.com/legends/uelsmann/
Translation, Thanks to E. Bianchi

Tuesday, 3 March 2009

What If I Get Stuck?


Once upon a time, there was a person in front of me and I was there, advising her on how to overcome a particular fear to do something that she actually wished to do.

I told her: “You know what you should do when you are stuck? You shouldn’t try to un-block anything, you simply ‘do’ that thing…Try and think…as long as you try and force yourself to un-block, you establish the block. As if it weren’t you the person who needs to overcome the block; as if it were natural…but recognizing your frailty…rather, write -she feared writing- anything that comes! And your soul will spring out like a mountain spring, without the fear of going wasted or of being strong or weak or of being already prepared for the low-land path. Each and everyone of us has behind them a large glacier, a genetic one, an acquired one, a subconscious one, from which to draw. That glacier is only waiting for our ‘Go!’”

Now, that person had lived in the mountains and had a wide experience of mountains, glaciers, streams. At first, she was puzzled; she brooded over something totally private in her mind and, really, for me it was not important to understand that, at that moment.

Then she interrupted that embarrassment and said: “So, you could count up to three…” There are moments in which, unless you become a child and let your ‘I’ communicate with that of the client…you can suddenly lose everything! I answered straight away: “Yes, of course…as long as you’re the one to say ‘Go!’”
Sometimes you need to let usual, every-day things become a bit uncomfortable…until you’re even scared of them.
But that way, it’s like trying to make a stream run up-hill! I prefer to believe in the gravity we live in and to follow it!

Whitout Fear -Toquinho, Vinicio De Moraes, Sergio Bardotti

Ma come fai quando tu sei bambino/ A prendere coraggio e fede nel destino/ Se papà ti mette per castigo al buio poi di notte a letto/ Zitto che c’è il lupo zitto che c’è il lupo zitto che c’è il lupo/ E la mamma dice chiamo l’uomo nero/ Chiamo il bau bau ti mangia tutto intero/ Nella notte scura ti fa la puntura, ti fa la puntura, ti fa la puntura/ Ma passa per il buio senza paura
Poi all’improvviso ti arriva l’età di amare follemente/ Un uomo che non va non c’è via d’uscita nè di qua nè di là/ Tuo padre guiderà tua madre pregherà/ Tua madre pregherà tua madre pregherà/ L’amante poi si butta giù dal fabbricato/ Perchè quello che è facile diventa complicato/ Dato che la vita è dura, che la vita è dura, che la vita è dura/ Ma passa per l’amore senza paura
Il pericolo c’è fa parte del gioco tu non farci caso sennò vivi poco/ Tieni sempre duro comincia di nuovo comincia di nuovo comincia di nuovo/ Anche per la strada tu stai rischiando/ Stai sovrappensiero stai rimugginando/ Passa la vettura della spazzatura/ Ed il conducente aumenta l’andatura/ Aumenta l’andatura, aumenta l’andatura/ Ma vai per la tua strada senza paura
Ed un bel giorno di qualunque settimana/ Ed un bel giorno di qualunque settimana battono alla porta/ Battono alla porta è un telegramma lei ti sta chiamando/ È un telegramma lei ti sta chiamando/ Per uno viene presto per l’altro tardi comunque presto o tardi/ Tranquilla e sicura viene senza avviso viene e ti cattura/Viene e ti cattura, viene e ti cattura/ Ma passa per la morte senza paura
Ma passa per il buio senza paura/ Ma passa per l’amore senza paura/ Ma vai per la tua via senza paura/ Ma passa per la morte senza paura

Musica: "Senza Paura", di Toquinho,Vinicius de Moraes e Sergio Bardotti, 1976
Drawing: "Composizione Black & White Composition, Blue Coscience", Andrea G., 2008